The Hangover Part II was the highly-anticipated followup to 2009’s sleeper smash hit The Hangover, and the middle part in the inevitable Hangover Trilogy franchise. You probably know that. It was released back in 2011 (Which you probably also know), but I kept missing out on seeing it until now – after the third part has already left theatres. So now I’ve seen it, what did I think? Well…
The Hangover is a great movie. It’s shocking, funny and (despite its absurdity), it’s still relatively believable. And as a result, it’s also relatively relatable. Sure, not everyone has gotten into quite such dramatic all-night benders, but many of us have had nights where we’ve done crazy things while under the influence and most of those us who have also have nights with huge gaps in our memories. It’s got a generally brilliant cast, fantastic and actually surprising cameos, and it was an even better movie when you saw it in a packed theatre.
The Hangover Part II is probably also better when seen in a packed theatre. Unlike its predecessor though, that’s probably the only time it’s any good at all. What might surprise you is that I don’t dislike it for being a rehash of the original. In fact, that’s kind of what I wanted. Another spin on the “crazy night we can’t remember” wheel is what I was looking for with this movie. No, what I dislike about the sequel is what they changed. Reusing the same bones, that’s fine. The problems with the sequel relate to turning some of the weaker elements up to eleven and contriving to reuse utterly inconsequential elements (like plot coupons) of the original for no good reason.
I still get plenty of laughs out of re-watching The Hangover. But the sequel left me cold even on this first viewing. There are some decent laughs in it, but almost all of them (with precisely two – it’s so few I can count them) come from characters the movie seems convinced are less funny than “the funniest character of all time”, played by “the funniest comedic actor of all time”: Alan Garner, played by Zach Galifianakis.
As you’ve no doubt guessed, those assessments are not my own, but those (apparently) of the writers, director and producers.
I say that because Alan gets a whole lot of focus in this movie at the expense, once again, of Doug – played by Justin Bartha – who is written out of the majority of the action in a way so contrived it’s brushed over as quickly as possible. It’s also at the expense of the far more interesting character of Mason Lee’s Teddy (Stu’s soon-to-be Brother-in-Law). Alan is a classic example of a character from an ensemble piece who was well-received enough to be forced to the fore of a later entry in the franchise.
In the original movie, Alan is an equally divisive figure. Some people, I know, love his schtick and enjoy Galifianakis’s style of “weird for the sake of it” humour. I’m not among them. But the first time around, I was okay with it. Alan was funny in the original because he was used (relatively) sparingly alongside the other members of the franchise’s core trio – as well as the rest of the ensemble – and he acts as a plot coupon. He’s the wild card which sets off the chain of events the movie revolves around, and his presence is justified well in the plot.
That is…Not the case here. Alan is forced into the movie with the flimsiest possible justification: Doug’s wife twists his arm about letting Alan attend Stu’s wedding, so he twists Stu’s. Stu, justifiably, wants nothing more to do with Alan who is clearly a deranged individual, who drugged Stu and his friends te first time he spent any time with them. Stu has every reason not to want him there. But Doug convinces him (it’s not particularly well justified), so they go and get him.
What’s worse is, before they even get to Thailand for the wedding, Alan furnishes them with (at least) four perfectly good new reasons not to want him around. By the end of the movie, there are at least five occasions where he should have been punched in the face, and arguably even more where he should just have been left to rot. These characters have absolutely no reason to like Alan and no earthly reason for putting up with his nonsense, which includes the revelation that he drugged them again, information which should in fact have led to Stu and Phil beating the living snot out of him on a public street. Instead he is quickly forgiven, for reasons which never become apparent.
See, the thing is, Alan is not their friend and never was. He insists on the idea that he is, but the only possible reason for them going along with this fantasy is pity. And that just doesn’t cut it when you’re talking about a guy who’s now twice drugged them, causing them no end of problems. Especially since – in this case – Phil winds up getting shot, Stu’s fiancé’s brother (who is a cellist) loses a finger and Stu himself unwittingly cheats on his future-wife with a prostitute and gets a crazy Mike Tyson Face Tattoo days before his wedding.
But instead of getting the asshole incarcerated, or beating him within an inch of his life, they forgive him as if all he did was lose their crate of beer. In fact, eventually they go ahead and treat him as if he’s a hero and they’re best buds. It all plays out as if the movie is begging us to love Alan, whilst also expecting that we already do. But I just can’t. He’s the least funny thing in a comedy in which he is a starring player, and he’s an asshole. No justification the movies offer excuses how much of a colossal jackass he is. He’s not even a loveable jackass. He ploughs clean across the edge of unsympathetic comedy protagonist territory and winds up a straight up villain protagonist.
What’s worse is, the only character who could conceivably be justified in pretending to like Alan is Doug, and he is once again sidelined! I’d have loved to have seen a The Hangover story where Doug makes it through the night with the others, and then joins them in their efforts to suss out what happened, because he’s a likeable character. My ideal rewrite of this script would have been to change it so that Alan’s presence was a surprise (like Mr Chow’s) and Doug joined them on the night out instead of heading off to bed early. Teddy could still have served as the lost member of the group, but the first act could then have been spent letting us get to know him better rather than wasting our time reminding us that Alan is a creep who nobody in their right mind would befriend.
And so now you’re saying “but then how would they have gotten into the mess without Alan drugging them?”
Answer: Who the hell cares? Any number of things could have happened. Why did it have to be the exact same thing as in the first movie? Maybe the bartender offers them the “house special” shot free of charge since they’re with a wedding party, and it turns out to have some crazy local ingredient in it which is a powerful hallucinogenic. Contrived? Maybe a little, but as contrived as Alan being there just to do the exact same thing again? No way.
What really bugs me is, when the focus is on the others, it’s actually pretty enjoyable. Ed Helms and Bradley Cooper are both very entertaining in their roles, as is Justin Bartha (when he’s given a chance). Mr Chow’s nonsense and the the zany denizens of Bangkok also make for an enjoyable ensemble. It’s a crying shame that filmmakers’ sad devotion to one character from a movie built on the back of at least a dozen fantastic performances ruined its chances of a worthy sequel.
Dismayingly, I hear the third one is even worse.
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