Movie Review: 8 Mile

So here it is, the (Admittedly belated) review of 8 Mile. It’s a natural choice to review this after Get Rich or Die Trying, both being vehicles for popular rap artists to launch (Potentially unnecessary) Acting careers. So is this one as bad, worse or is it (Gasp) actually kind of decent?

Well, and I can’t believe I’m saying this, I enjoyed it. 8 Mile is a good movie. It’s hardly fine art and it’s not going to be remembered as the defining moment of a generation, but it’s decently entertaining and very watchable.

One of the crucial differences is the scale of the story on offer. Get Rich went for a preposterously overblown tale of a kid who becomes not only a drug lord, but also a rap star, On top of that, it is stuffed with over-dramaticised attempts at emotional weight. The resulting scenarios and story are implausible to the point of unwatchable.

8 Mile on the other hand focuses on a relatively small story. It’s not about grandiose ambition coming to fruition, it’s not a false-feeling attempt to portray a modern rags-to-riches tale. Instead, we have the real story of rap – the working class, Motor City and, of course, the streets.

And that’s not “the streets” in the eccentric “bullets flying every which way” sense Fitty Cent used it for Get Rich. It means real people. The youth, in the real world, just trying to pass the time in relative comfort and get by on what they can.

When guns appear in 8 Mile, it’s a big deal – they’re a real threat. People don’t just suddenly become drug dealers, or rap stars. They work day in, day out and blow off their steam however they can, and between that and work they spend their time surviving. It’s not the happiest portrayal of working class life, but it’s at least real.

The performances are pretty decent all round, and Eminem’s rapping is at its absolute best here. He was at the top of his game when this movie was made, and it shows in his epic Battle performances and the movie’s theme “Lose Yourself” – in my opinion, hands down his best ever track.

On first blush, Eminem seems rather bored with his part, wandering through the film with a lazy wide-eyed mild disinterest. But on closer inspection, and after watching the movie for a bit longer, this bewilderment seems more like his character’s persona. He seems constantly to be looking over his shoulder and lacks confidence.

He has just that right sense of mild but contained frustration with his lot in life that you would expect from a low-paid metalworker, and by the time he opens the taps and destroys the Leader of the Free World, you’re really rooting for him.

8 Mile is an easy film to recommend if you’re okay with Rap music. Those of you who can’t stan it are well advised to steer clear, but if you’re even merely okay with it, this is a move to check out. Stay the hell away from Get Rich though.

Movie Review: Get Rich or Die Trying

So I’m not going to waste too much of your time here, you probably don’t need me to. This movie is bad. BAD. The acting is terrible, particularly on the part of “Fitty” himself (The scene where he “learns to rap again” is particularly painful).

Worse is the story, with the scenarios it creates positively cringe-worthy at times (An eleven-year-old aiming to whack a drug dealing gangster with a steering wheel lock, an eleven-year-old drug dealer beating up a thug).

I mean, the music’s not bad if you like rap, but this movie seems to think it’s going to do for African-American Gang Culture what The Godfather did for Italian-American Gang Culture. Perhaps that’s why Fifty stayed on such a clearly awful movie (Out of a mis-guided belief it was high art – you know, where you want it so bad you think it’s there).

…Nah, he’s just an idiot.

Anyway, the movie just sucks. It’s painful to watch, filled with implausible characters and situations (That eleven-year-old writes an overtly sexual love rap to his sweetheart which is such an abomination to the ears her stepfather kicks her out).

And when it’s not implausible, it’s over-long, predictable or formulaic. Several times one of us was heard to say “lemme guess: X happens” only for X to occur moments later.

As for the over-long remark? It becomes pretty obvious exactly what events are going to play out and why as the movie draws to its (First) climax. Despite this, the movie makes you wait easily 10 minutes more than it needed to actually get to those events, instead tacking in some out of place emotional crap which does not achieve its (Presumably) intended goal of lifting the film’s tone in any way.

It’s a trainwreck. Next time, I’m reviewing 8 Mile. let’s see if the “Shameless Rapper Vehicle” formula for movies is inherently bad or if this one’s just bad on its own.

Christmas Letter 2008

Oh, I guess it’s that time of year again.

You probably think I mean Christmas, but in fact you are but half-correct, half I say! I am referring to the (As of this year) annual custom where I waste the time of my friends and family with a pointlessly and arguably too-long letter reflecting on the past year, which this year means we have a lot to cover, and with any luck we’ll get some hilarious snarky comments in along the way.

Huzzah!

Ah, but what is it about this year that is most memorable? After all, so much has hap…Yeah, alright, the economy went down the proverbial crapper, nay the literary crapper. And that’s kind of a bummer. Money’s, like, useful. It can be exchanged for goods and services. And I don’t know about you, but I for one like goods and services. They’re great! But you know…Whatever. There’s more than one way to have a party!

Ignoring the fact that I had no idea where I was going with that metaphor when I wrote it, I shall move onto some good news. Bush is gone in a month. Obama is in in a month. For us Brits, that means we can finally stop hating the country which gives us such wonderful gifts as The Simpsons, Heroes, The Killers and Katy Perry.

Oh hey, speaking of music, Axl Rose (We get it Axl, it’s an anagram of an impure act. It’s not funny any more dude, get a real name) finally got around to releasing his album “Chinese Democracy”, the most expensive and also inappropriately attributed album ever recorded. I mean, honestly, “Guns ‘n’ Roses”? There’s more members of Guns ‘n’ Roses in Velvet Revolver! Perhaps Mr. Rose has difficulty moving on. So while your enjoying your wonderful Christmas, shed a tear for a washed-up old rock star whose latest record is rubbish and who can’t seem to move on I mean seriously what the hell get over it.

Ahem. Got a bit carried away there. Anywho, in other entertainment news, The Dark Knight came out, meaning we have been given something unheard of since before Tim Burton got kicked off the project: A good Batman sequel. If you don’t know what I’m getting at, go watch Batman & Robin, a movie so bad its star will personally reimburse you the cost of admission on request.

So I guess, actually, don’t watch it.

Now then, let us not forget that we almost did not get to see this Christmas. It seems a group of friendly nutcases near Geneva decided to build and activate the first Halo ri…I mean, the Large Hadron Collider. A device with potentially catastrophic consequences. Yes, our friends in Switzerland chose to risk sucking us all into a Black Hole. But the risk of being condensed to a singularity isn’t even the worst bit. We’d have had to die in Switzerland…That’s so boring! They’re neutrals! It’s neither a hateable place or one you’d love! Never mind though, because we seem to have escaped the worst of it.

Huzzah!

In fact, some people are trying to save the world to make up for it! That and, you know, white liberal guilt. Yes, Bill Gates has decided to dedicate himself to philanthropy. Damn does that man want a Nobel or what? Well whatever, good luck to him. Lot these days makes you think the world’s headed downhill, good work should be applauded. So, uh, yeah. Woo for the world’s charity even in what’s tastefully not being called a Depression.

But it is.

But we don’t call it that.

Cos it seems less dramatic if we call it a “Crunch”.

Or a “downturn”.

It’s like how we don’t call it Global Warming or the Melting of the Polar Ice Caps, we call it “Climate Change”.

But I digress. Man has it been a fast year or what? I swear it was only a matter of weeks ago I was gearing up for GCSE exams, and yet it was many months ago. I’ve long since passed and joined the madhouse that is Sixth Form and yet, it still seems like no time has passed at all. Nevertheless, so much has happened it’s hard to remember most of it.

Hmm…Oh, I got a Mac. Which is nice…Let’s see…Important things we haven’t covered yet…Um…I hear Canadia has had its government shut down by their Prime Minister. Something about protecting his job and right-wing policies from the left-wing will of the people. So, uh, sucks to be them I s’pose…Oh, speaking of Governance, Mr. Brown saw fit to drop our VAT! Yes, I know it’s only till the end of 2009, still nice though. Bloody Tories inflated it so much. Honestly. Anywho, props to Mr. Brown for that. He is good godammit. Stop reading the Red Tops! These are the same journalists who tell you which public figure is involved in which sex scandal!

I mean, what the heck kind of political knowledge can they have if that is what became of their lives.

Oh, hang on though, speaking of sex scandals, Screws of the World totally got Max Mosley. Couldn’t have happened to a nicer bloke.

Hmm, I was just looking over the list of Christmas Number One contenders…I mean…Wow. It’s like actual musicians don’t even I want to beat X Factor phonies any more. Where are the proper Christmas-themed songs? I mean, there’s a few there, but they’re mostly covers and/or likely to be the same dreary pseudo-joyous “Christmas” junk we’ve had to make do with for nearly two decades now!

Someone release a new Merry Xmas Everybody, please! A proper, 21st Century Christmas rocker.

And while we’re at it, let’s get rid of the X Factor. The era of manufactured music must end! Open your ey…EARS people!

Erm, excuse me. Got a bit carried away there. So, what will the new year bring us? Well, if I knew that, I would be aiming to make a killing at the Bookies and on the Stock Market (They’re having their 35 Years-ly Blowout Sale by the way!). So since I have no idea, I can but guess…Let’s see…Predictions and aims for the new year…2009…Two Thousand and Nine…Hmmm…

Sky will stay blue; music will continue to dominate culture; the economy will finally begin to rebound; summer will be hot; spring will suck just as much as ever and someone, somewhere, will be inappropriately offended by something they know was not meant in that way – they will proceed to destroy someone’s career over it despite being aware they meant and caused no actual harm.

Yeah, I guess most of those are cop outs, the summer one’s just wishful thinking. Yes, you read that right. So then, aims…

Hmm…Seems like I should be more decisive and also stop, you know, thinking in text…I mean, it’s text. If I need to think of something why don’t I just stop writing until I have? I mean, the way I’m doing it’s just weird, right? Well, anyway, those and probably something about expressing love. That sort of thing always goes down well. So, yeah. Hmm, actually that reminds me of something…

Yes, I’ve checked. Mistletoe’s white things are, indeed, berries. Also it’s a poisonous parasite.

We humans chose some odd symbols for love.

Anyway, I’ve kept you long enough. Merry Christmas and a Happy New Year everyone!

Yours,
Paul “Jensonb” Douglas

PS: I just noticed this letter’s almost twice as long as the first one.

PPS: I want to make it clear, that I think that is all the way awesome.

PPPS: So there.

Son of Rambugh

So we went to the cinema earlier on a Media Studies Trip. British Cinema was the name of the day (Indeed, that was the theme of the festival they were running…I think anyway, it wasn’t exactly heavily publicised).

The movie? Son of Rambow. Wow. I would never have imagined a film with such an off the wall, bonkers plot could be so hopelessly formulaic. Writer-Director Garth Jennings seemed to have a passable idea, but he singularly failed to deliver on it, never mind turn it into something worthwhile.

Great directors can take a serviceable plot and make a classic (Examples might include Jaws for Spielberg, Star Wars for Lucas and Sleepy Hollow for Burton). Okay directors can take serviceable ideas and make acceptable movies (The Superman Series springs to mind). Awful directors do this.

So apart from being formulaic what’s wrong with Rambow? Well, the whole exercise is simplistic. Jennings seems content to point his camera with all the eye for framing and excitement of his characters – in whose defense, are children. Jennings takes no risks and makes liberal use of filming cliches. It’s pretty bleak.

It doesn’t help that the whole thing seems kind of pointless. It feels like Mr. Jennings is trying to make a touchy-feely piece. But when almost all his characters are male and most of the few whoa re not are either contemptible or asexual, the whole thing comes across as rather odd. Not even gay, which would be somewhat interesting. It’s a movie about friendship…But none of the friendships make much sense.

Why’s that? Leaps of logic. Alfonso Cuaron’s Harry Potter and the Prisoner of Azkaban suffered similar problems, but was at least well made to make up for it. Here, the way the lead is rather blindly lead by his eventual friend makes little sense.

Less sensical is the fact that he befriends the guy in the first place. The two are utterly incompatible. Well, actually, they only start that way. Lee, who starts out as a jerk and a bully, suddenly becomes a victim and a sympathetic figure.

It’s a device used throughout the film – even paradoxically. For example we learn that Lee’s brother is nasty to him. But then we learn that Lee’s mother causes him no end of problems. So that’s two instances of passing the blame.

Jennings manages to paint about 7 characters as villains. Of them, 3 are redeemed with deus ex machina (This is particularly true of the out-of-place French boy Didier – and if you want to know why he’s out of place, it’s not cos he’s French, it’s because he’s a product of the modern era, not the film’s setting). Another 2 villains are minor characters with maybe 4 speaking parts between them.

Ultimately, by the end of the movie, you’ve seen everything coming from the first few moments of exposure to the various characters. It’s a snooze-fest and it doesn’t help that few of the characters are endearing. You like them well enough in some ways, but you won’t come out caring what happens to them after the film.

Nor will you care much about anything the film says or does. Notably, some of the messages the film tries to send are debunkings of old-fashioned ideals which seem ridiculous even by being mentioned, which makes the whole movie seem a trifle pointless.

Son of Rambow has some pretty good jokes in it, but ultimately it falls flat.